You can watch the videos also on Youtube website

FLOP WE
[2005] 2:17
sound:DJ/Rupture

UKIYO-E
[2004] 3:02
sound: Richard Devine

click the image to see the video UKIYO-E is on SONIC ACTS DVD. SONIC ACTS festival from Amsterdam has produced a DVD coming out with WIRE magazine in February 2006. This DVD is part of the eleventh edition of the Sonic Acts festival and brings together a wide variety of contemporary artists working in the field of computer art. Curated, compiled and produced by Gideon Kiers and Lucas van der Velden for Sonic Acts 2006. Including Artists SKOLTZ_KOLGEN, Jasch, Semiconductor, Telcosystem, LIA, Casey Reas,META, Granular-Synthesis, Chris Musgrave, JODI, reMI, Scott Pagano, Farmersmanual, Kurt Ralske, Sue C.,etc

UKIYO-E is a live recording of one of SOLU's videoprocessing sessions made with max/msp/nato.The sound track is cprec from Richard Devine, an Atlanta based experimental musician. The name of the piece, UKIYO-E, is a japanese term translated as "prints from the floating worlds", which in the ancient times referred to the worlds between, "out of reality" as for example the world of geishas. The images of the people were shot in New York just before the Iraq war started, there are also landscapes from Japan, Sarajevo and Barcelona, all covered with "post-nuclear" noise. SCREENINGS 09/06 State of the Image. Arnhem.Holland 06/06 Stripdagen Haarlem 2006 11/05 Lopend Beeld. Haarlem.Holland 10/05 FLACC-Image Forum. Genk.Belgium 03/05 URBAN TALES, URBAN SOUNDS, London 10/04 VISUAL-EX, Madrid (ES) 07/04 NEW YORK VIDEO FESTIVAL/ SYNAESTHESIOLOGISTS:Global Audiovisuals Now 07/04 OFFF festival, Valencia (ES) 06/04 SONAR, Barcelona (ES) 05/04 dorkbot presentation, Barcelona (ES) Ukiyo-e has been selected to Undergroundfilm.org

FIELD R3PORTS
[2004] 3:45
sound: Donna Summer(Jason Forrest)

click the image to see the video

FIELD REPORTS is a live recording of one of SOLU's videoprocessing sessions made with max/msp/nato. Music by Donna Summer, the master of noise. The processing of the videomaterial has been completed. The results are synthetic scannings of the world seen through the desktop. SCREENINGS 10/04 VISIONICA, Gijon (ES) 10/04 VISUAL-EX, Madrid (ES) 07/04 OFFF festival, Valencia (ES)   field r3ports has been selected to Undergroundfilm.org

LEFT WITH THIS
[2003]
sound: MORTENSON

A farewell video for a farewell song " i got a way with you babe, you.... you got a way with me..." SCREENINGS 07/04 OFFF festival, Valencia (ES) 10/03 Kvikt. Reykjavik. Island 10/03 Raindance Film Festival/Cinesthesia.London

ALIEN FURY
[2001] 3:48
sound:ONCE11

written about ALIEN FURY IMPACT festival cataloque 2001: Starkly stylistic clip by a celebrated finnish VJ who’s closely involved with the developments of the NATO software (software to edit live image and sound). By laying diverse layers of abstract images on top of one another, she creates a tension of depth against the passing landscape. On a big screen, this is certainly impressive. SCREENINGS 05/03_THE BEST OF XFEST, New York (US) 05/03_XFEST, New York (US) 08/02_CYBERIA2002, Santander (Spain) 04/02_SYNTH, San francisco (US) 02/02_LAVANDERIA, Barcelona (Spain) 12/01_SENEF2001, Seoul (Korea) 12/01_Observatori 2001, Valencia (Spain) 11/01_ SHORTS! International short film festival Amsterdam (Holland) 11/01_DIGITALES, Brussels (Belgium) 10/01_IMPAKT2001, Utrecht (Holland) 08/01_nato workshop 2001 Paris (France) 07/01_OPEN PICNIC, Barcelona (Spain) 06/01_SONAR, Barcelona (Spain) 07/02_ ELECTROBOX, Baltimore (US) + Alien Fury in the audiovisual automat @ AUTOMATEN BAR, Berlin + Alien Fury part of RELINE DVD + In My Dream part of LOFI GRADUATION cdpackage by Melange

RELINE DVD :

RELINE is a DVD from artists world wide employing custom software and
modified hardware to create work that focuses on graphic abstraction, the
broken output of dysfunctional systems, and the desire to re-vision both old
and new technologies. Bringing together a diverse array of work, this
collection showcases artists engaged with the creation of new visual forms
derived from experimental processes and techniques, often foregrounding
the un-criticized role technology plays in our lives.
The image assemblages are created using everything from laptop-driven
generative software, busted cameras, and hell-bent video mixers, all with a
drive to heartily misuse industry standard production tools. Often seen
lugging their projectors to and from venues ranging from dive bars to
galleries, these video mavens have a pixel-itching desire to augment and
enhance environments and static architecture.

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SHOWCASES
08/05 PLOCK 2005, Sierpia. Poland [www.4x4av.co.uk]
07/04 OFFF festival, Valencia (ES) [including UKIYO-E, FIELD REPORTS, LEFT WITH THIS, ALIEN FURY]
05/03 AMODA. Austin Museum of Digital Art (US)